A) A sound designer uses a sound's pitch as a painter uses a brush.
B) A sound designer uses background tones like a painter uses different colors.
C) A sound designer mixes dialogue and effects like a painter mixes different colored paints.
D) A sound designer edits sounds the way a painter makes compositional choices.
E) A sound designer uses music the way a painter uses a model as the basis for a painting.
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Multiple Choice
A) Badlands (1973)
B) Padre Padrone (1977)
C) Double Indemnity (1944)
D) Hamlet (1948)
E) The Sweet Hereafter (1997)
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Multiple Choice
A) The nonfaithful sound suggests that Ben and Elena might be able to save their marriage.
B) The sweeping wind sounds suggest that this difficult time will pass.
C) The harsh breaking sounds serve as a metaphor for the characters' frail lives.
D) The nonfaithful sound suggests that the characters' social order is under attack.
E) The faithful sounds of the snow landing on the commuter train suggest a smooth, calming end.
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Essay
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Multiple Choice
A) to link and provide unity between disparate shots
B) to fulfill an audience's expectation
C) to convey a character's emotional state
D) to underscore the theme of the movie
E) to create rhythm beyond that created by the music
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Multiple Choice
A) Mixing of the sound effects occurred during preproduction.
B) Dialogue was edited during production.
C) No music was used.
D) The music was composed before the rough cut of the film had been assembled.
E) All the dialogue had to be looped.
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Multiple Choice
A) It leads the audience to believe that Ogilvy may become an evil force.
B) It suggests Ogilvy could be an ally.
C) The soothing tones suggest a happy ending.
D) It provides irony since the viewers know a new demonic force now rules the world.
E) It provides relief since the characters could use a large blade.
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Multiple Choice
A) Characters search for a lost dog, and the audience hears the sounds of a hockey game.
B) A bottle of champagne is opened, and the audience hears a pop as the cork flies across the room.
C) A baby cries, and the audience hears the roar of a lion.
D) A couple fights, and the audience hears an ambulance siren.
E) A woman opens her mouth to scream, and the sound of a train whistle is heard.
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Multiple Choice
A) a serious, naturalistic style.
B) a fast, witty style that called attention to itself.
C) a languorous, slow style that expressed romantic longing.
D) a staccato, clipped manner of speech.
E) a proper, formal style.
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Multiple Choice
A) dialogue
B) narration
C) ambient sounds
D) sound effects
E) Foley sounds
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Multiple Choice
A) pitch
B) quality
C) loudness
D) fidelity
E) amplitude
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Multiple Choice
A) Ang Lee uses a Japanese folk song to create a dreamlike pace in Brokeback Mountain (2005) .
B) Tom Tykwer uses techno-music to match the surreal tempo in Run Lola Run (1998) .
C) Joe Wright uses Gregorian chant to bring an ethereal mood to Atonement (2007) .
D) John Curran uses Rage Against the Machine songs to accelerate the pace of We Don't Live Here Anymore (2004) .
E) Lana Wachowski uses music by Johann Sebastian Bach to slow the tempo of The Matrix (1999) .
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Essay
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Multiple Choice
A) jungle noises.
B) a short offscreen interior monologue.
C) monks' prayers.
D) music from a TV melodrama.
E) silence of the perceivable world and the afterworld.
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Multiple Choice
A) Directors have learned how well they can cover up mistakes in shooting.
B) Sound design has simplified so people understand better how it functions.
C) Producers have realized that it is more economical to invest in a top sound designer than a cinematographer.
D) Motion picture sound has become more complex and increasingly innovative.
E) More men have entered the field, yielding higher salaries.
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Multiple Choice
A) ambient sound
B) music
C) Foley sounds
D) vocal sounds
E) sound effects
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Multiple Choice
A) ambient sound.
B) internal sound.
C) diegetic sound.
D) nonsimultaneous sound.
E) external sound.
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Multiple Choice
A) They tend to see images as a whole, while they hear sound as individual elements.
B) They are slow to differentiate visual elements but are quicker to separate sound into its constituent parts.
C) They interpret visual elements emotionally, while an audience is far more analytical when it comes to sound elements.
D) They can easily differentiate visual elements, while it is more challenging for them to separate sound into its constituent parts.
E) They are more easily emotionally manipulated by visual elements than sound elements.
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Multiple Choice
A) fidelity
B) timbre
C) amplitude
D) frequency
E) harmonic content
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