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A) There is no plainchant fragment.
B) The higher voice.
C) The lower voice.
D) The recorder.
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A) troubadours
B) trouvères
C) jongleurs
D) Minnesingers
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A) a musical interlude between two parts of the Mass.
B) a style of melodic writing.
C) a type of polyphony.
D) a different way of orienting the scale.
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A) alba
B) motet
C) estampie
D) plainchant
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A) The Christian church remained the only influence.
B) Kings and barons completely took over the influence once enjoyed by the Christian church.
C) Kings and barons gained influence, but the Christian church retained some power.
D) The middle class rose and took over artistic life in society.
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A) the motet.
B) organum.
C) Gregorian chant.
D) the estampie.
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A) St. Stephen's Cathedral in Vienna.
B) the Vatican.
C) Winchester Abbey in England.
D) Notre Dame Cathedral in Paris.
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A) eleventh and twelfth
B) twelfth and thirteenth
C) thirteenth and fourteenth
D) eleventh through fourteenth
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A) is moving with the upper voices.
B) drops out periodically.
C) is in triple rhythms.
D) is reduced to a series of lengthy drones.
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A) monophony, then imitative polyphony, then homophony
B) monophony, then organum, then monophony
C) homophony, then monophony, then homophony
D) organum, then homophony, then organum
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A) dancer.
B) prince.
C) lawyer.
D) poet.
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A) "Columba aspexit."
B) "In paradisum."
C) "Alleluia. Diffusa est gratia."
D) "Dame, de qui toute ma joie vient."
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A) monophony
B) homophony
C) imitative polyphony
D) non-imitative polyphony
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A) a simpler melody than an antiphon.
B) a series of short tunes repeated with some variation.
C) a choir accompanied by an instrumental drone.
D) a soloist accompanied by an instrumental drone.
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A) polyphonic.
B) monophonic.
C) metrical.
D) modal.
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A) "Dame, de qui toute ma joie vient"
B) "La dousa votz"
C) "Alleluia. Diffusa est gratia"
D) "Columba aspexit"
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