A) lens with an extremely long focal length.
B) lens that can change focal length while a shot is being filmed.
C) lens with a special mount that can be changed quickly between shots.
D) short lens used for rapid camera movements.
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True/False
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Multiple Choice
A) from the chest up.
B) from the knees up.
C) from the waist up.
D) from the neck up.
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Multiple Choice
A) It was used to create portions of the mise-en-scene.
B) It was used to create characters with individual artificial intelligence.
C) It was used to create digital stunt doubles for actors.
D) It allowed the use of computerized storyboards instead of the less advanced animatics usually used for special effects.
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Multiple Choice
A) its soft, warm pastels.
B) its ease of use during shooting.
C) its rich, saturated hues.
D) its need for less light than earlier color processes.
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Multiple Choice
A) the actual distance of the characters from the camera.
B) the focal length of the lens being used.
C) the size of the figures relative to the frame.
D) how high the actors' heads are in the frame.
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Multiple Choice
A) the difference between the darkest and lightest parts of a frame.
B) the darkest part of a frame.
C) a mixture of black-and-white frames and color frames.
D) the use of color to emphasize images in a frame.
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Multiple Choice
A) a technique used to change the shape of the frame.
B) a filter placed over the lens to change the color of the scene.
C) the case placed around the camera to muffle its noise for sound filming.
D) shades used to keep sunlight from creating lens flares.
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True/False
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Multiple Choice
A) long takes with a nearly static camera and complex staging in depth.
B) frequent tracking shots that emphasize significant details in the mise-en-scene.
C) innovative use of the zoom shot.
D) almost constant craning shots.
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Multiple Choice
A) upside down.
B) not to be level.
C) as seen from directly above.
D) as seen at ground level.
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