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One reason for the limited number of female artists in the Middle Ages and the Renaissance was that women__________________.


A) were not allowed to learn skills of drawing or painting
B) could not work professionally as artists
C) were not allowed formal apprenticeships
D) were not admitted to guilds

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Which feature is characteristic of French painting in the fifteenth century?


A) elaborate details and complex iconography
B) a reserved detachment among the figures
C) an emphasis on symmetry and geometric patterns
D) the use of Gothic architectural settings

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What symbolic meaning is NOT suggested in Hunt of the Unicorn series of tapestries?


A) the Incarnation of Christ
B) moral character and bravery
C) romantic love
D) Christ's death on the cross

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__________ carved and gilded the elaborate altarpiece for the church at the Champmol monastery.


A) Michael Pacher
B) Jacques de Baerze
C) Claus Sluter
D) Konrad Witz

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Discuss the evolution of the graphic arts in the fifteenth century to an art form comparable to manuscript illumination or painting. Define the techniques used, and cite specific artists and their works to support your discussion.

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Discuss the achievements of Jan van Eyck. Cite specific works of art, address style, technique, subject matter, and patronage.

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Jan van Eyck was a prominent Flemish pai...

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Patrons in Germanic lands preferred altarpieces that featured_______________.


A) groups of panel paintings similar to those of Flemish masters
B) other worldly images evoking Christian mysticism and spiritual revelation
C) polychromed wood sculpture and carvings
D) an icon of the Virgin and Child

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The __________ in a Christian church symbolizes both the table of Jesus's Last Supper and the tombs of Christ and the saints.


A) door
B) nave
C) altar
D) clerestory

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Discuss the importance of the fiber arts in -fifteenth century Flanders. Cite specific examples.

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Which of the following is characteristic of the International Gothic style in late fourteenth-century Europe?


A) a preference for grisaille and pale colors
B) a microscopic detailed rendering of natural objects
C) the use of scientific perspective
D) dark simple costumes that make facial details stand out

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Which naturalistic device did Hugo van der Goes use in the Portinari Altarpiece ?


A) a gold leaf background
B) a vision of Christ as Judge
C) atmospheric perspective in the landscape
D) None of the above.

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What do art historians mean by the use of "hidden symbols" in the Mérode Altarpiece ?


A) secret meanings in the work that only the patron would know
B) symbols obscured by extraneous details
C) ordinary objects that also possess symbolic meaning
D) symbolic meaning that has been lost over the years

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Which figure does NOT exemplify the exacting naturalism that characterizes Flemish portraiture of the fifteenth century?


A) the woman in Jan van Eyck's Double Portrait of A Giovanni Arnolfini and His Wife
B) the figure in Jan van Eyck's Man in a Red Turban
C) the Virgin in Dieric Bouts's Virgin and Child
D) the donor in the Mérode Altarpiece by the Master of Flémalle

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_________ belonged to the second-generation of Flemish painters.


A) Jan van Eyck
B) Robert Campin
C) Petrus Christus
D) Roger van der Weyden

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In landscapes, fifteenth-century Flemish painters relied on __________ to convey spatial depth.


A) gold leaf
B) atmospheric perspective
C) local color
D) supernatural visions

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Did other artists, outside of Flanders, have exposure to the style and technique of Flemish painters? If so, how did this exposure occur? Who were these non-Flemish painters? How did they assimilate fifteenth-century Flemish style and technique?

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Yes, artists from outside of Flanders di...

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How did women artists in the fourteenth and fifteenth centuries learn to paint? Cite examples of individual women artists.

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During the fourteenth and fifteenth cent...

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The German artist, __________, was a skilled printmaker as well as painter.


A) Martin Schongauer
B) Hans Memling
C) Dirck Bouts
D) Petrus Christus

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Jan van Eyck describes the physical appearance of the Man in a Red Turban with detailed renderings of ________________.


A) his blood shot eyes
B) tiny wrinkles around his eyes
C) showing the stubble of his beard
D) all of the above

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Similar to Jan van Eyck, the objects in Hugo van der Goes's Portinari Altarpiece _________________.


A) contain a personal meaning for the donor
B) are secular references
C) have symbolic meaning
D) refer to the wealth of the donor

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