A) its insistence on conscious control.
B) its experiments with free association.
C) its sense of playfulness.
D) its interest in randomness.
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Multiple Choice
A) Magritte
B) Arp
C) Ernst
D) Giacometti
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True/False
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True/False
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Multiple Choice
A) O'Keeffe
B) Kandinsky
C) Rivera
D) Hopper
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True/False
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Multiple Choice
A) the reclining figure motif.
B) hollowed-out spaces and openings.
C) forms made as thin as structurally possible.
D) massive biomorphic forms.
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A) ancient Egypt
B) the Italian Renaissance
C) Oceania
D) Classical Greece
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A) Mirรณ
B) Klee
C) Dal'
D) Man Ray
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A) He believed that photography should only be used in the service of Social Realism.
B) He believed that photography should only be used in the service of avant-garde abstraction.
C) He believed in "straight photography" rather than in the manipulation of images.
D) He did not believe that photography was a form of art.
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A) Hopper
B) Lawrence
C) Wood
D) VanDerZee
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Multiple Choice
A) Hopper
B) Lawrence
C) Lange
D) Kahlo
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Multiple Choice
A) Duchamp
B) Arp
C) Breton
D) Man Ray
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Multiple Choice
A) O'Keeffe
B) Kandinsky
C) Stieglitz
D) Barr
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A) by signing his name to a urinal
B) by dropping colored rectangles onto a canvas
C) by drawing a beard and moustache on a reproduction of the Mona Lisa
D) by placing random objects on light-sensitive paper
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Multiple Choice
A) O'Keeffe.
B) Pelton.
C) Lange.
D) Kahlo.
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